I'll recommend a book that might help with story writing, its called "Invisible Ink" by Brian McDonald. For someone who is carefully watching their money (who isn't, really) between purchases, working on the creative side will only help you to make better films. The nice part about creativity is that it really doesn't cost anything except time. The good news is that these can all be worked on and the skills grown. Poorly written films get made into multi-part series because they have eye candy and can distract the viewer from what is effectively a horrible script. This is an area that can often cover for a flawed story. Brickfilming sets are an extension of the creativity aspect and can really make the difference when putting a film together.Ģ: Technical - lighting, audio, visual quality, SFX etc. It was groundbreaking when it came out because it was made with almost nothing as a budget, but made a fortune at the box office because the story was told well and made to fit the production capabilities. I like to think about the film "Blair Witch Project" as a great example of that. An amazing story can overcome poor production quality, especially if you know your production methods and outputs well enough to use them to your advantage. There are a number of key things to putting a good brickfilm together, but I cut them into two distinct parts:ġ: Creative - the story and the set. Not a problem, as they say, there are several ways to skin a cat.
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